Subtle & Subversive
Subtle & Subversive
December 7, 2023
Lilli Palmer and Rex Harrison on the set of ‘Main Street to Broadway’, New York 1948
© Ruth Orkin/Engel Film- & Photo Archive; VG Bild-Kunst, Bonn 2021
One of her perhaps most recognisable photographs is ‘American Girl in Italy’: recorded in 1951, it shows a self-assured young woman striding past an assembly of admiring men. The image would go on to become a fixture within the feminist movement of the 1960s and 1970s.
Ruth Orkin’s subtle, yet radically subversive photographs show women who are ahead of their time, turning away from gender stereotypes and conventions. With sharp humour, the photographer created reportages such as ‘Who Works Harder’, which juxtaposes the life of a housewife and mother with that of a career woman. She documented women in beauty salons, at cocktail parties, at dog shows and on Hollywood’s movie sets – with subjects ranging from personalities such as Lauren Bacall, Jane Russell, Joan Taylor and Doris Day to waitresses, stewardesses, soldiers and best friends.
In the course of their explorations, Nadine Barth (curator and publicist at Barthouseprojects) and Katharina Mouratidi (artistic director at f³ – Freiraum für Fotografie) discovered unique, multi-layered and largely unpublished works that show the late artist in a whole new light – emphasising her gift as a sensitive, thoughtful and witty chronicler of American women in the 1940s and 1950s.
Lilli Palmer and Rex Harrison on the set of ‘Main Street to Broadway’, New York 1948
© Ruth Orkin/Engel Film- & Photo Archive; VG Bild-Kunst, Bonn 2021
Nanette Fabray, Hollywood film set, 1949
© Ruth Orkin/Engel Film- & Photo Archive; VG Bild-Kunst, Bonn 2021
Julie Adams, Los Angeles, 1952
© Ruth Orkin/Engel Film- & Photo Archive; VG Bild-Kunst, Bonn 2021
On the street, New York, 1948
© Ruth Orkin/Engel Film- & Photo Archive; VG Bild-Kunst, Bonn 2021
Women on the Street, New York 1948
© Ruth Orkin/Engel Film- & Photo Archive; VG Bild-Kunst, Bonn 2021