The Café in Raqqa
The Café in Raqqa
Nicole Tung
July 31, 2020
"The photo was taken in the city of Raqqa, in the town’s main public space, Naim (Paradise) Square. Raqqa, located in north-central Syria on the banks of the Euphrates River, was the capital of ISIS’s so-called caliphate, between 2014-2017.
On the day this photo was taken, there was a dust storm coming, and there were few people in the streets. But this café had just reopened in the square, in the middle of the ruined city. In Raqqa, during the offensive to oust ISIS, over 80% of the infrastructure was damaged or destroyed. The scale of the destruction was staggering, and the human toll even more so.
After all that civilians endured living under ISIS, and then the ensuing campaign to drive the extremist group from the city, the trauma was evident. However, this was also peoples’ homes – so they started trickling back in after having fled the city temporarily. They had to restart their lives, to rebuild their houses, reopen their shops, and try to live with the memories haunted by the ghosts of the dead and the horrors they had experienced.
I was in Raqqa several times in 2018 looking into the aftermath of the conflict there. The main backstory to why this image is so significant for me, is because of the colours and what they represent: the contrast between the bright pink paint on the bricks, orange and green chairs, grey rubble, and brown-yellow hues brought on by the dust. Lightbulbs were strung up over the tables.
Standing there as the winds picked up, there was this sense of loss, melancholy, and hope. Just behind where this photo was taken, cinema seats remained where people were forced to watch a screen showing punishments meted out by ISIS. Nearby in the roundabout of the square, ISIS held public executions. And yet, this café existed to encourage life once again."
On the day this photo was taken, there was a dust storm coming, and there were few people in the streets. But this café had just reopened in the square, in the middle of the ruined city. In Raqqa, during the offensive to oust ISIS, over 80% of the infrastructure was damaged or destroyed. The scale of the destruction was staggering, and the human toll even more so.
After all that civilians endured living under ISIS, and then the ensuing campaign to drive the extremist group from the city, the trauma was evident. However, this was also peoples’ homes – so they started trickling back in after having fled the city temporarily. They had to restart their lives, to rebuild their houses, reopen their shops, and try to live with the memories haunted by the ghosts of the dead and the horrors they had experienced.
I was in Raqqa several times in 2018 looking into the aftermath of the conflict there. The main backstory to why this image is so significant for me, is because of the colours and what they represent: the contrast between the bright pink paint on the bricks, orange and green chairs, grey rubble, and brown-yellow hues brought on by the dust. Lightbulbs were strung up over the tables.
Standing there as the winds picked up, there was this sense of loss, melancholy, and hope. Just behind where this photo was taken, cinema seats remained where people were forced to watch a screen showing punishments meted out by ISIS. Nearby in the roundabout of the square, ISIS held public executions. And yet, this café existed to encourage life once again."
Text and image: © Nicole Tung
EQUIPMENT: Leica M (Typ 240) with Summicron-M 35 f/2 Asph
Nicole Tung+-
The freelance photographer works for international publications and NGOs, primarily in the Middle East and Asia. She has reported on conflicts such as those in Libya and Syria, on former child soldiers in the Democratic Republic of Congo, and on the refugee crisis in Europe. She has received wide recognition for her work, including the International Photo Award, the Society of Professional Journalists Award and the James Foley Award for Conflict Reporting of the Online News Association. Her work has been exhibited at the Annenberg Space for Photography, at Visa Pour l'Image and at the Foreign Correspondents’ Club in Hong Kong. More