“When I think about Ukraine, this picture comes to mind: I took it a few days ago at the square in front of the Lwiw central train station.”
“When I think about Ukraine, this picture comes to mind: I took it a few days ago at the square in front of the Lwiw central train station. In the midst of a mass of people, a woman holds her child in her arms, waiting to get a seat on a train to Poland. The air smells of diesel and wood that's burning in a barrel to produce a bit of warmth for those who are waiting. Even though the woman and her child are fleeing from war, a feeling of calm and thoughtfulness prevails in front of the station and on the platforms. I am continuously asked when and where the train is departing, but I can't help. The feeling that as soon as one train loaded with hundreds asylum-seekers leaves the station, the buildings and platforms are quickly crowded with hundreds and thousands more escaping the horrors of war, is oppressing. Soldiers and members of free militias search for Russian spies amid the mass of people waiting to leave. As a photographer, you are constantly seen as a threat. A few seconds after photographing this scene, I was approached by a security guard.”
Text and image: © Gregor Fischer
Gregor Fischer+-
Gregor Fischer was born in Berlin in 1989, a couple of months before the fall of the Berlin Wall. The pictures from that time continue to move him and remain the greatest motivation behind his desire to tell the stories of the world in pictures. Trained as an editor and cameraman, he has been working as a freelance photographer for newspapers and magazines since 2011; including as a permanent freelancer for the German Press Agency. More