The Russian invasion of Ukraine has entered its second winter, and temperatures are dropping to way below zero. The photographer documented the very personal struggles the remaining inhabitants face, in dealing with the bitter cold.
In the regions of Ukraine that are close to the battle front, the destruction is enormous and the situation continues to look hopeless. The power supply is almost paralysed as a result of the shelling. The icy cold, captured by Emile Ducke in his pictures, is almost tangible; and yet it is unimaginable. It runs like a common thread through his series, which depicts how people improvise on a daily basis, trying to adapt in what was once their home and is now a hostile environment.
Even before the war, Ducke spent time travelling in Ukraine, documenting daily life there: "My work is always about telling stories about the realities of life in Eastern Europe," he explains. Against the backdrop of the war, his images represent important contemporary testimonials. Since the start of the war, the photographer has travelled to the country regularly, mastering the balancing act of telling the stories of the inhabitants, while living with the risk of working so close to the battle front.
Pauline KnappschneiderEQUIPMENT: Leica M10, Summicron-M 35 f/2 Asph, Summilux-M 50 f/1.4 Asph; Leica SL2-S, Sigma 35 f/2 DG DN
LFI 2.2024+-
The photographs of the series Cold as Weapon can be found in LFI Magazine 2.2024. More
Emile Ducke+-
Emile Ducke (born 1994 in Munich) began studying documentary photography in Hanover in 2013, subsequently spending one semester in the Russian city of Tomsk in 2016. Post-socialist societies in Eastern Europe have become the primary focus of his work. Since 2017, Ducke has been based in Moscow, working on reportages that have taken him across the Taiga, to Transnistria and to remote corners of Siberia. More