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LFI 05.1961
In this issue
CONTENTS
In Memoriam Theo M. Scheerer
Masters of the Leica – Brian Brake
Are there no motifs left?
Colour Photography and Erwin Fieger – By L. Fritz Gruber
Introduction to Colour Photography (X) – By Theo M. Scheerer †
The Reversal Processing of Black-and-White Films – By J. Makovec
Marginal Notes – By Walther Benser
One Tape – two “pradovits” – By Walter W. Schmidt
From First Prototype to Leica M3 (VII) – By Horst Bredow
Practical Notes on the Leicina (III)
At Random
In Memoriam Theo M. Scheerer
Masters of the Leica – Brian Brake
Are there no motifs left?
Colour Photography and Erwin Fieger – By L. Fritz Gruber
Introduction to Colour Photography (X) – By Theo M. Scheerer †
The Reversal Processing of Black-and-White Films – By J. Makovec
Marginal Notes – By Walther Benser
One Tape – two “pradovits” – By Walter W. Schmidt
From First Prototype to Leica M3 (VII) – By Horst Bredow
Practical Notes on the Leicina (III)
At Random
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