Leica Camera AG at Paris Photo 2018
Leica Camera AG at Paris Photo 2018
November 8, 2018
© Max Pinckers, winner LOBA 2018
Max Pinckers’ series ‘Red Ink’ was shot under strict government surveillance. In August 2017, at the height of the propaganda battles between the US and North Korea, the photographer accompanied the American journalist Evan Osnos on a four-day trip to North Korea, commissioned by the weekly magazine ‘The New Yorker’. The resulting series skilfully plays with the viewer’s perception: aware that it would be impossible to catch a glimpse of the reality behind the regime’s facade, the Belgian photographer decided to document his surroundings in a boldly lit, flash-heavy style usually used in propaganda and advertising images – thereby consciously emphasising the orchestrated nature of each scene.
For her deeply personal project ‘Svetlana’, Newcomer-award winner Mary Gelman repeatedly travelled to the remote community of Svetlana, some 150 km east of St. Petersburg, over the course of nearly two years. Svetlana is a special-needs facility run by the Camphill Movement – a holistic, anthroposophy-based initiative designed to allow people with disabilities to live and work autonomously in a setting untouched by prejudices and discrimination. Her sensitive photographs reveal the artist’s extraordinary powers of observation, dispersing the distinction between ‘normal’, ‘disabled’ or ‘different’. Instead, they illustrate just how capable and free any person can be if they are unburdened by stigma and discrimination.
For further information visit
Paris Photo
Leica Oskar Barnack Award
Max Pinckers
Mary Gelman
© Max Pinckers, winner LOBA 2018
© Max Pinckers, winner LOBA 2018
© Mary Gelman, winner LOBA Newcomer Award
© Mary Gelman, winner LOBA Newcomer Award