Seeing the Light
Seeing the Light
July 31, 2015
James Nizam, Drill Holes Through Studio Wall, 2012
© James Nizam / Courtesy of Christophe Guye Galerie / Courtesy of maerzgalerie
Light as both Subject and Medium
All artworks shown in "Vestiges of Memory" – whether they are paintings, drawings or sculptures – are made of light: the most essential and indisputable basis of all visual art becomes the artist's primary subject, as well as his expressive medium.
Nizam's work creates a connection between early and non-figurative photography, and the technological possibilities of modern-day optical physics. The aim, however, is not simply to create ingenious optical illusions: instead, Nizam manages to broaden our perception with masterly suggestions of physicality. He disperses our habit of merely seeing light as a presence on surfaces, or as a facilitator of visual contrast, and so gives rise to a new School of Seeing.
For further information visit Maerzgalerie, James Nizam
James Nizam, Drill Holes Through Studio Wall, 2012
© James Nizam / Courtesy of Christophe Guye Galerie / Courtesy of maerzgalerie
James Nizam, Sundial, 2013
© James Nizam / Courtesy of Christophe Guye Galerie / Courtesy of maerzgalerie
James Nizam, Shard of Light, 2011
© James Nizam / Courtesy of Christophe Guye Galerie / Courtesy of maerzgalerie