Retrospective of a pioneer
Retrospective of a pioneer
April 3, 2016
Alice Lex-Nerlinger, Dress Form, ca. 1928, photograph
Akademie der Künste, Berlin, art collection Inv.-Nr. 2812
(picture Ilona Ripke), © S. Nerlinger, Berlin
Together with Hannah Höch, Lea and Hans Grundig and John Heartfield, Alice Lex-Nerlinger (1893–1975) belonged to the Cologne progressives, and her husband Oskar Nerlinger to the artistic-political avant-garde of the Weimar Republic.
After training as a painter and graphic designer, Lex-Nerlinger worked consistently with modern photography as of 1927. She experimented with photo montages, photogrammes and with spray paint techniques, to spread her socio-political themes widely using simple means of reproduction.
Further information at: Das verborgene Museum
Alice Lex-Nerlinger, Dress Form, ca. 1928, photograph
Akademie der Künste, Berlin, art collection Inv.-Nr. 2812
(picture Ilona Ripke), © S. Nerlinger, Berlin
Alice Lex-Nerlinger, The Seamstress, ca. 1928, photo montage
Akademie der Künste, Berlin, art collection Inv.-Nr. 2824
Photo: Ilona Ripke, © S. Nerlinger, Berlin
Alice Lex-Nerlinger, Hands Speak 3, 1928, photograph
Akademie der Künste, Berlin, art collection Inv.-Nr. 2911
Photo: Ilona Ripke, © S. Nerlinger, Berlin
Alice Lex-Nerlinger, Poor and Rich, 1930, photogramme-montage
Akademie der Künste, Berlin, art collection Inv.-Nr. 3706
Photo: Ilona Ripke, © S. Nerlinger