The Future is Now
The Future is Now
November 8, 2022
Space Odyssey Spacesuit #1, Sylmar, USA, 2019
© Vincent Fournier, courtesy The Ravestijn Gallery
Set in a sleek, clinical world of Kubrick’s own design, the movie offers a speculative glimpse into a dystopian future – marked by an artificial intelligence so sophisticated that it would eventually defy its creators. “I’m sorry Dave,” HAL 9000, the sentient computer, famously tells its human operator: “I’m afraid I can’t do that.”
More than 50 years after the film’s release – and against the backdrop of continuing technological advancements – Kubrick’s masterpiece has lost none of its relevance. The aesthetic universe he once orchestrated is now echoed in the data centres, international space programmes and self-driving cars of our modern times.
Which poses the question: to what extent have the futuristic visions of imaginative artists, shaped the technological designs and innovations that followed?
With the exhibition ‘I’m sorry Dave’ – on show from November 5, 2022 to January 7, 2023 – Amsterdam’s Ravestijn Gallery explores this question through works by Vincent Fournier (FR), Inez & Vinoodh (NL/US), Bownik (PL), Martina Sauter (DE) and Philippe Braquenier (BE).
Combining direct 2001 references – such as Fournier’s image of a Space Odyssey costume, or Inez & Vinoodh’s depiction of the iconic red Djinn chair – with more subtle associations, the featured works orbit playfully around the ideas and aesthetics that distinguish Kubrick’s magnum opus to this day.
For further details visit The Ravestijn Gallery
Space Odyssey Spacesuit #1, Sylmar, USA, 2019
© Vincent Fournier, courtesy The Ravestijn Gallery
11, 2021
© Martina Sauter, courtesy The Ravestijn Gallery
Rianne van Rompaey, H.A.L. 9000, 2019
© Inez & Vinoodh, courtesy The Ravestijn Gallery
The Dance of Venus, 2019
© Koen Hauser, courtesy The Ravestijn Gallery
Wikileaks, Pionen Data Centre – Stockholm, Sweden – 041102014
© Philippe Braquenier, courtesy The Ravestijn Gallery