Vienna is currently being monopolized by the photographer Nobuyoshi Araki: the radical and subjective photographer's work is appearing there in three exhibitions at the same time. The Albertina Modern Museum and the Westlicht and Ostlicht exhibition centres are presenting exciting aspects of the photographic art of Japan's most famous, and controversial, photographer. Araki's work is provocative – especially the nude and bondage images that make up the most significant portion of his oeuvre –, yet his repertoire of subjects is actually far more diverse. This complexity is clearly evidenced in the photographs on display in the Austrian capital. For those unable to make it to Vienna before August, the catalogue The Books of Nobuyoshi Araki is available. It is an important compendium that offers a precise overview of the photographer's decades-long work as a book designer.
Photo books assumed a central position in Araki's body of work. Consequently, his publications represent a common thread running through the WestLicht and OstLicht shows. On the occasion of his 80th birthday, for the first time and in close collaboration with the artist, the Westlicht exhibition, titled ARAKISS, presents photographs from his recent 2020 series, Paradise. The large-format still-lifes are displayed within the context of publications and works covering six decades. Recurring themes are revealed in a lifetime of work, such as Araki's obsessive preoccupation with sexuality and death, the blending of documentary and fictional narratives, and also, his confrontations with censorship.
The number of Araki's publications is virtually beyond count. The Ostlicht exhibition offers an impressive and informative overview, and presents over 300 volumes from the Ostlicht Collection. The exhibition highlights how the the medium of photography and the medium of books complemented each other perfectly in Araki's work. Many of his books are now coveted collector items. In the publication accompanying the display, photo book expert Michael Reitter-Kollmann provides an excellent guide to understanding the work, and offers a synopsis of the most striking volumes created between 1970 and 2020. “With his intuitive reflections on a possible visual language and on the narrative structures of a visual grammar for photography, Araki can be counted among the pioneers of the iconic changes to seeing that first emerged in the 1990s,” Reitter-Kollmann explains. “With his vocabulary, he has clearly enriched the transition from a society oriented towards writing to one oriented towards images.” Even though, graphically speaking, the book is rather plain, its meticulousness and detailed knowledge makes it indispensable for any collector. Furthermore, it offers every person interested in photography a deeper understanding of the artist's approach to his work, and represents an important building block for photographic history and research. (Ulrich Rüter)
The Books of Nobuyoshi Araki
Published by Michael Reitter-Kollmann and Peter Coeln
Ostlicht Photo Collection, Vienna
Edition: 500 copies, 96 pages, numerous colour and black and white pictures.
22 x 28.5 cm, German/English
Ostlicht
The Nobuyoshi Araki ARAKISS exhibitions remain on display at Westlicht and Ostlicht until August 1, 2021.
© 2021 pictures: Peter Coeln, OstLicht Photo Collection, Vienna
Photo books assumed a central position in Araki's body of work. Consequently, his publications represent a common thread running through the WestLicht and OstLicht shows. On the occasion of his 80th birthday, for the first time and in close collaboration with the artist, the Westlicht exhibition, titled ARAKISS, presents photographs from his recent 2020 series, Paradise. The large-format still-lifes are displayed within the context of publications and works covering six decades. Recurring themes are revealed in a lifetime of work, such as Araki's obsessive preoccupation with sexuality and death, the blending of documentary and fictional narratives, and also, his confrontations with censorship.
The number of Araki's publications is virtually beyond count. The Ostlicht exhibition offers an impressive and informative overview, and presents over 300 volumes from the Ostlicht Collection. The exhibition highlights how the the medium of photography and the medium of books complemented each other perfectly in Araki's work. Many of his books are now coveted collector items. In the publication accompanying the display, photo book expert Michael Reitter-Kollmann provides an excellent guide to understanding the work, and offers a synopsis of the most striking volumes created between 1970 and 2020. “With his intuitive reflections on a possible visual language and on the narrative structures of a visual grammar for photography, Araki can be counted among the pioneers of the iconic changes to seeing that first emerged in the 1990s,” Reitter-Kollmann explains. “With his vocabulary, he has clearly enriched the transition from a society oriented towards writing to one oriented towards images.” Even though, graphically speaking, the book is rather plain, its meticulousness and detailed knowledge makes it indispensable for any collector. Furthermore, it offers every person interested in photography a deeper understanding of the artist's approach to his work, and represents an important building block for photographic history and research. (Ulrich Rüter)
The Books of Nobuyoshi Araki
Published by Michael Reitter-Kollmann and Peter Coeln
Ostlicht Photo Collection, Vienna
Edition: 500 copies, 96 pages, numerous colour and black and white pictures.
22 x 28.5 cm, German/English
Ostlicht
The Nobuyoshi Araki ARAKISS exhibitions remain on display at Westlicht and Ostlicht until August 1, 2021.
© 2021 pictures: Peter Coeln, OstLicht Photo Collection, Vienna
Araki Books-Cover 1970–2020 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
La Chat Photo Magazine, Vol. 1, August 1995 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
Erotos, 1993 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
Erotos, 1993 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
Erotos, 1993 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
The Banquet, 1993 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
The Banquet, 1993 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
The Banquet, 1993 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
Oh Nippon, 1971 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
Oh Nippon, 1971 © Nobuyoshi Araki, courtesy Fotosammlung OstLicht
© Nobuyoshi Araki, courtesy Fotosammlung OstLicht
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