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ONE PHOTO

23.04.2019

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In her Dias Eternos long-term project, recently published in LFI 3/2019, the Venezuelan photographer Ana María Arévalo looks into conditions in centers of detention in her homeland. She focuses primarily on the fates of imprisoned women. It is the tattoo in this picture that draws the attention: the photographer explains the story behind it.

“This picture was taken at the detention center I visited the most, La Yaguara. That day, 22 women were sharing a very small cell, including 17 year-old Hainni Lara. I remember looking at her and thinking that she looked like my friend's sister: small, pale skin, big brown, rogue eyes and long brown hair. The thing that reminded the most of my friend's younger sister was her very innocent smile.
I shot some close-up portraits of her, and then a police officer yelled into the cell, telling her to show me her tattoo, which she did. Her nickname is "38" because of the tattoo that she has on her upper thigh. It shows a 38 caliber gun held by a garter.
The reason for her arrest was homicide. She had been waiting for her trial for 2 and a half months, but hadn't yet seen a lawyer. Hainni has a daughter waiting for her outside. The father of Hainni's daughter is dead.
I find this picture tough, because it represents a part of Venezuelan society that venerates guns. They are a normal part of everyday life. A tattoo of a gun represents power and authority, just as much as protection.”

You can find the whole portfolio in LFI 3/2019.

Image: © Ana María Arévalo
Equipment: Leica Q with Summilux 28 f/1.7 Asph
© private

Ana María Arévalo

Born in Caracas, Venezuela in 1988, Arévalo studied photography in Toulouse. She uses photography to produce visual narratives with high documentary value. She received grants from the Pulitzer Center on Crisis Reporting and from Women Photograph to further her work on the Dias Eternos project. Her Dias Eternos series has already been published in the New York Times’s Lens Blog.

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