LFI 02.2004
In dieser Ausgabe
Portfolio: Paul Almasy – A Retrospective, Part 2. A pioneer of photojournalism and observant chronicler of the social upheavals of his time – his main work begins in1950.
Portfolio: Festival Cervantino in Mexico. Julia Baier explored one of the largest cultural festivals in Latin America in search of the street stages.
Portfolio: With the Kurds in Iraq. Ashley Gilbertson documents the consequences of escape and deportation in conflict areas. In 2003 he experienced the war in northern Iraq.
Test: Digilux 2: How does Leica’s concept of combining classic camera functions with digital technology perform on the field? Does the Digilux 2 live up to its high expectations?
Classic Lens Designs: Leica Knowledge. The Noctilux 50 mm f/1.2 from 1966 redefined the benchmarks for available light photography.
Hybrid-Techniques, Part V: LFI Academy. Achieving decent black & white scans is a high art – we explain how to do it.
Super Wide Angle for Leica M: Lens Practice. Putting Elmarit-M 21 mm f/2.8 Asph and 24 mm f/2.8 Asph to use.
Picture Composition: Avoiding Chlichés. LFI Academy. How to discover your personal photographic expression with eyes wide open.
Portfolio: Festival Cervantino in Mexico. Julia Baier explored one of the largest cultural festivals in Latin America in search of the street stages.
Portfolio: With the Kurds in Iraq. Ashley Gilbertson documents the consequences of escape and deportation in conflict areas. In 2003 he experienced the war in northern Iraq.
Test: Digilux 2: How does Leica’s concept of combining classic camera functions with digital technology perform on the field? Does the Digilux 2 live up to its high expectations?
Classic Lens Designs: Leica Knowledge. The Noctilux 50 mm f/1.2 from 1966 redefined the benchmarks for available light photography.
Hybrid-Techniques, Part V: LFI Academy. Achieving decent black & white scans is a high art – we explain how to do it.
Super Wide Angle for Leica M: Lens Practice. Putting Elmarit-M 21 mm f/2.8 Asph and 24 mm f/2.8 Asph to use.
Picture Composition: Avoiding Chlichés. LFI Academy. How to discover your personal photographic expression with eyes wide open.
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